Held

Last week I had the pleasure of watching Natalie Grant sing this song on television, and then hearing friend sing it in church. It's a strongly sentimental song, and I think it contains some good advice. If not, it's a song that opens peoples' hearts, and allows them to receive comfort from the Lord.

It goes like this.

Two months is too little;
They let him go
They had no
Sudden healing.
To think that Providence
Would take a child
From his mother while she prayed
Is appalling.
Who told us we'd be rescued?
What has changed and
Why should we be saved
From nightmares?
--- I'm not sure what she means by "what has changed." The tone of the song has changed abruptly and it's a little confusing. Does she mean that thinking that Providence would take an infant from his praying mother is appalling is a change? But anyway, it's a good question that she asks: why should we be saved from nightmares?

We're asking why this happened
To those of us who have died to live
It's unfair.

--- Of course we ask why this happened. We want things to make sense. There's a question of enjambment here - is it, "we're asking why this happened to those of us," or, "to those of us who have died live it's unfair"? After this ambibuity comes the chorus:

This is what it means
To be held
How it feels
When the sacred is torn from your life
And you survive.
This is what it is
To be loved
And to know
That the promise was when everything fell we'd be held.

--- I know that I am held all the time by the Father, not just when everything else falls - in fact, to some extent, it's all already fallen - I mean, who do I really have but God? So I wonder what the song means when it says "this is what it means." What does it mean to be held? The best sense I can make of it is that it's about resting in God's protection and sovereignty when everything else falls apart. But that's not an answer to the mistaken notion that we'd be rescued and spared from nightmares, which belief can cause a person to become bitter against the Lord.

Speaking of bitterness, the song talks about it. This is my faavorite part:

This hand is bitterness
We want to taste it
Let the hatred numb
Our sorrow.

The wise hand opens slowly
To lilies of the valley and
Tomorrow.

--- This part makes sense to me impressionistically; it's pretty deep and analytical, too. That I would want to focus on the hatred so I wouldn't hurt so much is interesting; I think hatred functions as another form of self-hurt. My hurting can not give any grief or in any way affect the original cause of my hurt, so hurting for hurting's sake only causes more personal hurt. That's why I like the next line - the wise hand opens - slowly - to possible blessings in the future.

I hope this song and these notes bless someone. Good things can happen when you really think about the words of songs.

KMM

Christ the Lord is Risen Today!

Easter Sunday! I love worshipping with my church, but I especially love it on the day when we celebrate the resurrection of Christ. My music minister tells me that it was customary at some point in church history for the leader to call out, "He is risen!" and the congregation to respond, "He is risen indeed!" We like this tradition, so we do it at our church every Easter. Such an exclamation expresses the joy of one simple but life-changing truth. It is life-changing because death is the great equalizer, and the great inevitable for all of us, and yet, it is not unconquerable, because God has power over it. I gotta say it - Hallelujah!

Apparently Charles Wesley felt the same impulse, because he punctuated each line of his hymn, "Christ the Lord is Risen Today," with an "Alleluia," which is the holy equivalent to "woohoo" and actually means "Praise God." So when you hear someone say alleluia instead of "woohoo," or "great!" they're not just trying to be stuffy, they're being specific in directing their praise.

I'd like to interpret a few of the alleuias in "Christ the Lord is Risen Today," because I think I can. Someone else might choose different lines or interpret them differently, and that would actually be great. Being different or seeing things from a different angle doesn't make us contradictory or prevent us from getting along. This is my blog, though, so I'm going to tell you which of the alleluias really swelled in my heart.

Lives again our glorious King!
Alleuia! He did not stay dead!
Where, O Death, is now thy sting?
Alleluia! That was a line from scripture. Nicely rhymed.
Love's redeeming work is done
Alleuia! God loved us enough to bring us back to Him, and the project of forgiveness is complete!
Fought the fight, the battle won!
Alleluia! I could not have won that battle on my own.
Made like Him, like Him we rise,
Alleluia! But wait a minute, there's some serious theology packed in this tidy little line. I think it means that when we become Christians, that is, when we accept God's gift and God's authority, we become like his son, Jesus, somehow. And the Bible says that one day the dead in Christ - Christians who died - will be brought back to life and given new bodies, like Christ was. It's even too complicated for me, but it sets up this next line:
Ours the cross, the grave, the skies
Alleuia! When a writer deliberately omits conjunctions from a series it's called "asyndeton," and it is often done at the end of speech or other discourse. This is the last line of the song, and it's a big finish. Forgiveness comes through the cross. The grave proves that the work of sacrifice was complete. As Christ was resurrected, so will we be one day. No need for extra padding of conjunctions to make it seem significant - the cross, the grave, the skies. What can we get that is worth more that that? Alleluia!

Happy Easter.

KMM

Music: Lyra Davidica

How Firm a Foundation

Again I owe inspiration and affirmation to a hymn. The first verse sets up that God's word is full of things I need to hear, and the last three are Him speaking to me through His word. That first verse reminds me to read His word and believe it.

How firm a foundation, ye saints of the Lord
Is laid for your faith in His excellent Word!
What more can He say than to you He hath said,
To you who for refuge to Jesus have fled?

Words: John Rippon, Music: Joseph Funk