I can't remember if I've written about Seeds Family Worship before, but I think I have.
In any case, their music bears repeat mention.
This morning I was doing a devotional about how my thoughts are like a "soundtrack" constantly playing in my mind, and, consequentially, the importance of my thoughts being focused on God's thoughts.
The devotional didn't specify actual music, but obviously music forms real soundtracks. I know that songs are quite often an effective way for me to have a soundtrack of God's thoughts in my mind.
All morning I've had the SFW Seeds of Praise album playing. Myself and my children have been hearing verses from the Psalms, Isaiah, Zephaniah, and Proverbs. Good stuff to meditate on.
I unreservedly and wholeheartedly would recommend the SWF series!
Tuesday, August 31, 2010
Saturday, August 28, 2010
Broken
Driving around town today, I heard this Lifehouse song.
It's thematically similar to "Hanging By a Moment," in that it talks about holding on to God for dear life.
Unlike HBAM, "Broken" talks about hanging on to a last shred of faith, through pain, through brokenness. It's ambiguous whether the pain is circumstantial, such as a death in the family, or internal/spiritual, such as a prodigal period. Though those two conditions are not morally equivalent, they both result in the experience of affliction. In the case of sin, it is a built-in way that God corrects His people (Psalm 119:71). Sometimes difficult circumstances can lead to a period of self-alienation from God, so the affliction is caused by both internal and exteral factors. It is sometimes hard to say where it started. It is something beween the individual and God, and sometimes pastoral care is helpful to sort it out. As the songs says, "In the pain, there is healing." I think that is true of pain caused by sin or pain caused just caused by life. In either case, brokenness follows, and intimacy with God is possible again (Psalm 51:17, Psa 43:18). The song does a good job creating imagery that evokes the miserable, and yet ultimately hopeful, position of a person who finds himself far from God for whatever reason.
The song uses the word "broken" in each stanza to introduce a different idea. Broken clocks suggest the singer's suspense as he waits - for something. In verse two, broken locks convey the futility of trying to shut God out. One of my favorite lines is, "I tried my best to be guarded, but I'm an open book instead." When I try to shut out God - or even other people - I often just wear my hurt on my sleeve. Sometimes I just can't hide. And that is good, because ultimately I need those relationships. The last verse is about driving - literally (around L.A., where the guys live, perhaps) and metaphorically:
Broken lights on the freeway
Left me here alone
I may have lost my way now
I haven't forgotten my way home.
That simple but apt figure of speech really caught my attention as I was driving around today. Overall, the song gripped me because of its poetry and its resemblance to real human experience. I really appreciate that in a pop song. I started imagining ways this song could be used in church other than as a song to hear in a car, though that is very valuable. Maybe someone else will have an idea.
Way to go again, Lifehouse. :)
It's thematically similar to "Hanging By a Moment," in that it talks about holding on to God for dear life.
Unlike HBAM, "Broken" talks about hanging on to a last shred of faith, through pain, through brokenness. It's ambiguous whether the pain is circumstantial, such as a death in the family, or internal/spiritual, such as a prodigal period. Though those two conditions are not morally equivalent, they both result in the experience of affliction. In the case of sin, it is a built-in way that God corrects His people (Psalm 119:71). Sometimes difficult circumstances can lead to a period of self-alienation from God, so the affliction is caused by both internal and exteral factors. It is sometimes hard to say where it started. It is something beween the individual and God, and sometimes pastoral care is helpful to sort it out. As the songs says, "In the pain, there is healing." I think that is true of pain caused by sin or pain caused just caused by life. In either case, brokenness follows, and intimacy with God is possible again (Psalm 51:17, Psa 43:18). The song does a good job creating imagery that evokes the miserable, and yet ultimately hopeful, position of a person who finds himself far from God for whatever reason.
The song uses the word "broken" in each stanza to introduce a different idea. Broken clocks suggest the singer's suspense as he waits - for something. In verse two, broken locks convey the futility of trying to shut God out. One of my favorite lines is, "I tried my best to be guarded, but I'm an open book instead." When I try to shut out God - or even other people - I often just wear my hurt on my sleeve. Sometimes I just can't hide. And that is good, because ultimately I need those relationships. The last verse is about driving - literally (around L.A., where the guys live, perhaps) and metaphorically:
Broken lights on the freeway
Left me here alone
I may have lost my way now
I haven't forgotten my way home.
That simple but apt figure of speech really caught my attention as I was driving around today. Overall, the song gripped me because of its poetry and its resemblance to real human experience. I really appreciate that in a pop song. I started imagining ways this song could be used in church other than as a song to hear in a car, though that is very valuable. Maybe someone else will have an idea.
Way to go again, Lifehouse. :)
Thursday, August 19, 2010
A World Away
My husband and I celebrated our ten-year wedding anniversary yesterday. For our wedding, we gave away compilation CD's that we compiled with jackets Scott designed.
The first few tracks were about going the distance together, trusting the providence of a gracious and faithful God. Included in this group were Andrew Peterson's "All the Way Home," and Big Tent Revival's "Two Sets of Joneses." The CD also included some of our favorite Passion praise tunes, like Agnus Dei, and "You are My King," some goofy stuff like "A Wonderful Guy" from the South Pacific soundtrack, and a few relatively unknown tracks like "Yo Tengo," by Silage ("Yo tengo un amiga whose jazz is superstereophonic..."). The last track is Third Day's "To Be With You," which is about how much God's love surpasses the most passionate promises one human can make to another. We felt at the time that that was a good way to frame our wedding. I think we're still in agreement on that ten years later. :)
Two days ago, I took some time to sit and think through the marriage, and yesterday I looked at this CD. The first track is Avalon's "A World Away," from the album *A Maze of Grace*. I still like that whole album. It's peppy, catchy, and yet still truthful. "A World Away" is even more appropo for our marriage now than it was when we first picked it. Here are the lyrics: Avalon - A World Away lyrics | LyricsMode.com
In the scheme of things, ten years isn't that long, but in the human scale, it is, and especially for our culture, we can say that we've come a long way, baby. The CD is a nice link to the past but I am glad that the songs are also a link to the future. It was fun to recognize that though a lot of things have changed, we're still doing music together, and God is still faithful.
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